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An exquisite example of a Selmer Super Balanced Action Tenor, 40xxx, overhauled with black kangaroo pads, PM Woodwind oversized brass domes and synthetic cork throughout.
Always a treat having multiple Mark VI tenors in for overhauls simultaneously; a nicely relacquered 70xxx and an excellent playing 130xxx.
Miyazawa Flute overhauled with JS gold pads, delrin bushings, synthetic felt and a Seidman flute stopper plug.
A very rare, gold-plated Buffet Enhanced Boehm soprano clarinet, keyed to low E flat. The C# tone hole was cracked, so an inner sleeve was fitted to the tenon and a new tone hole was fabricated and installed.
A new Yanagisawa Alto repadded with Pisoni pads, PM Woodwind oversized brass domes and synthetic cork and tech-cork throughout.
Selmer Mark VI Alto overhauled with black kangaroo pads and Maestro Star Airtight resonators, synthetic cork and bumpers throughout.
A beautiful example of a 62xxx Selmer Mark VI Tenor, overhauled with Prestini firm pads, original metal resonators and natural cork and felt throughout.
A gorgeous Selmer Series II Alto overhauled with Joey Grey pads, PM Woodwind oversized brass domes, with red highlights and rubies...
Selmer Series III Tenor overhauled with Pisoni pads, PM Woodwind oversized brass domes, and synthetic cork throughout.
Bite plate replacement with electric green dental resin.
Taking a few passes with the silicon paper on the table reveals the pond left behind on the table after the manufacturing process. Without hand-finishing, most hard rubber and plastic mouthpieces will be very inefficient and reeds will have difficulty sealing properly.
Refaced and opened up from a 0.70 to 0.95.
A saved Brilhart Tonalin Great Neck Alto Mouthpiece with epoxy.
A first generation Otto Link Tonemaster tenor mouthpiece opened from a 0.70 to a 0.95 using Frank Wells technique of "bending" the piece open as opposed to sanding open the tip.
Sleeve fabricated and fitted to prevent cracked shank from spreading.
